Community Music bezeichnet als internationaler Fachbegriff musikalische Aktivitäten, bei denen nicht nur der musikalische Ausdruck, sondern auch die sozialen Prozesse Beachtung finden. Das gemeinschaftliche Musizieren wird somit als eine ästhetische und sozial inklusive Praxis verstanden. Vor dem Hintergrund von individualisierten Lebenswelten bekommen soziale Interventionen durch Musik eine besondere Bedeutung, um Gemeinschaften zu stärken, zivilgesellschaftliches Engagement zu fördern und Menschen unterschiedlichster Herkunft zusammenzubringen. Das vorliegende Buch versammelt Beiträge aus internationaler und nationaler Perspektive, die Community Music in Theorie, Praxis und Ausbildung beleuchten.
Community Music:Suggestions for Developing Community Singing, Choruses, Orchestras and Other Forms of Community Music (Classic Reprint) Community Service Inc
The Oxford Handbook of Community Music:Oxford Handbooks
The Oxford Handbook of Community Music:
Community Music:A Practical Guide for the Conduct of Community Music Activities (Classic Reprint) National Recreation Association
Folk music is more than an idealized reminder of a simpler past. It reveals a great deal about present-day understandings of community and belonging. It celebrates the shared traditions that define a group or nation. In America, folk music - from African-American spirituals to English ballads and protest songs - renders the imagined community more tangible and comprises a critical component of our diverse national heritage. In ´´I Hear America Singing´´, Rachel Donaldson traces the vibrant history of the 20th-century folk music revival from its origins in the 1930s through its end in the late 1960s. She investigates the relationship between the revival and concepts of nationalism, showing how key figures in the revival - including Pete Seeger, Alan Lomax, Moses Asch, and Ralph Rinzler - used songs to influence the ways in which Americans understood the values, the culture, and the people of their own nation. 1. Language: English. Narrator: Arthur Flavell. Audio sample: http://samples.audible.de/bk/acx0/055448/bk_acx0_055448_sample.mp3. Digital audiobook in aax.
Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called ´´doo-wop´´, ´´soul´´, ´´funk´´, ´´urban contemporary´´, or ´´hip-hop´´, R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to 19th-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top 25 songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a ´´re-Africanization´´ over time. By investigating musical elements of form, style, and content in R&B - and offering numerous musical examples - the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock ´n´ roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical ´´super-genre´´ which he labels ´´The New Blue Music´´. Richard J. Ripani is a faculty member at Hume-Fogg Academic High School in Nashville, Tennessee. He is also a professional musician and songwriter in Nashville, performing with artists such as Ronnie Milsap, Ronnie McDowell, the Kentucky Headhunters, and Lee Greenwood. He has worked on numerous national television programs and earned gold and platinum records. 1. Language: English. Narrator: Kenneth Lee. Audio sample: http://samples.audible.de/bk/acx0/003714/bk_acx0_003714_sample.mp3. Digital audiobook in aax.
Elaborations Toward a Notion of Community Music Therapy: Brynjulf Stige